That Drifting Excrement Was Way Too Meaningful! These Are the TV Letdowns of the Year.
As we reflect on the TV offerings of the recent year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. From cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Burdened with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the third series started, it seemed as if it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final series. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the least of this drama's issues. The subject of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The laughably wooden writing? The mind-numbing glorification of wealth and consumption? The almost deliberate procession of cliches? Acting so bad they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. However, a new season has been commissioned, so we’re likely going to have to.
AKA Charlie Sheen
Given the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer close contact with this charismatic but dismissive egotist.
The Iris Affair
Naturally we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
The Gangster Drama
Shady characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.
The Meghan Markle Series
Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised ventures into twee lifestyle as deliberate statements. But then you view them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for wine o’clock with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly fascinating things to be said about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was akin to consuming a marketing brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.
The Inheritance
It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to live up to something far greater than it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of famous cameos involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the shrewd inclusion of talented younger comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from oddly jaunty, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.
Prime Target
We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies targeting – and killing off – intellectuals honestly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the online personality notorious for explicit escapades as she prepared for her biggest feat yet. What on earth would possess her? What we wanted was way more examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.